
A friend sent me a link to a youtube clip of Keiko Touge. I had never heard of her and watched it without any expectations. As soon as she opened her mouth and started singing, nerves and emotions I had not touched in decades were immediately exposed. Teenage angst and possibilities and dreams were with me once again. The woman has perfect pitch.
More importantly, Keiko sounds 98.6% like Karen Carpenter.
When I was young, I listened to the angelic alto that was Karen Carpenter in her pre-illness prime, just a girl of 19 when she hit the charts. She had what I still to this day believe to be one of the five most incredible pop female voices of the last century. Karen was, in my mind, in the same league with Judith Durham, Rosemary Clooney, Eva Cassidy, and Ella Fitzgerald. (Yep, I said it, better than Barbra, Judy, Diana, Judy, Cass, or Jo. "My ladies" were in a class all by themselves.) And like the other four, Karen could absolutely embrace the texture and timbre needed to own a song, to make the listener sniffle in sympathy or bop along in childlike joy. I have always heard perfect pitch, even if I could not sing it. Hearing a singer claim a note just an eighth of a note flat or sharp still sends me climbing the walls. Each of these ladies could nail it. I bathe in their music each time it finds me.
The Carpenters’ music itself has been described by some, including at least one woman I have married, as insipid. As may be. God knows, I lost enough bus stop fist fights with “friends” for admitting I listened to “faggot music”. Ah, youth. All I can say is the songs helped articulate the emotions of an unpopular, gangly boy struggling to define what was important in life. For that, I am still grateful. Add to that the voice of an angel, and you have a shrine, lovingly locked away in my inner psyche. Here is an admittedly lip synched sample of her voice. Pure tone. Beautiful. I wonder to this day what she would be singing today if she had lived, whether she would have survived the transition from 30ish pop artist to adult entertainer, whether she would have left her persona and her duo act in the dust and moved on to something else, or whether she would remain as she is – a footnote in music history and an example of how bad 70's music was, for some.
So Keiko. Keiko Touge apparently has a one-track career. She plays the part of Karen Carpenter reborn. A woman of some lucky talent, she sounds a bit like The Lady herself and indulges in the comparison. Here is a sample. (Please try to ignore the awkwardness of Richard Carpenter in the clip. He is a lost soul, and perhaps the lessons of his post-Karen public life are worth a post on its own merits.) It is obvious to me in this clip that it was really important to Keiko that Richard approve of her interpretation. I hope she got the approval she wanted.
And I hope she finds her own muse so that she can own her own soul and can learn to live without Karen’s.
Listening to Keiko, then listening to other clips by both women, I felt like I was eating butter. It is such a gift to be able to touch memories and find that they still mean something. Even if they mean nothing to anyone else. The songs carry emotion, and the voices themselves are pure joy. I hope you find them to your liking.
And Donald: if you are still out there somewhere and want to resume our bus stop discussion about my musical taste, I warn you -- I have developed a wicked right hook.
More importantly, Keiko sounds 98.6% like Karen Carpenter.
When I was young, I listened to the angelic alto that was Karen Carpenter in her pre-illness prime, just a girl of 19 when she hit the charts. She had what I still to this day believe to be one of the five most incredible pop female voices of the last century. Karen was, in my mind, in the same league with Judith Durham, Rosemary Clooney, Eva Cassidy, and Ella Fitzgerald. (Yep, I said it, better than Barbra, Judy, Diana, Judy, Cass, or Jo. "My ladies" were in a class all by themselves.) And like the other four, Karen could absolutely embrace the texture and timbre needed to own a song, to make the listener sniffle in sympathy or bop along in childlike joy. I have always heard perfect pitch, even if I could not sing it. Hearing a singer claim a note just an eighth of a note flat or sharp still sends me climbing the walls. Each of these ladies could nail it. I bathe in their music each time it finds me.
The Carpenters’ music itself has been described by some, including at least one woman I have married, as insipid. As may be. God knows, I lost enough bus stop fist fights with “friends” for admitting I listened to “faggot music”. Ah, youth. All I can say is the songs helped articulate the emotions of an unpopular, gangly boy struggling to define what was important in life. For that, I am still grateful. Add to that the voice of an angel, and you have a shrine, lovingly locked away in my inner psyche. Here is an admittedly lip synched sample of her voice. Pure tone. Beautiful. I wonder to this day what she would be singing today if she had lived, whether she would have survived the transition from 30ish pop artist to adult entertainer, whether she would have left her persona and her duo act in the dust and moved on to something else, or whether she would remain as she is – a footnote in music history and an example of how bad 70's music was, for some.
So Keiko. Keiko Touge apparently has a one-track career. She plays the part of Karen Carpenter reborn. A woman of some lucky talent, she sounds a bit like The Lady herself and indulges in the comparison. Here is a sample. (Please try to ignore the awkwardness of Richard Carpenter in the clip. He is a lost soul, and perhaps the lessons of his post-Karen public life are worth a post on its own merits.) It is obvious to me in this clip that it was really important to Keiko that Richard approve of her interpretation. I hope she got the approval she wanted.
And I hope she finds her own muse so that she can own her own soul and can learn to live without Karen’s.
Listening to Keiko, then listening to other clips by both women, I felt like I was eating butter. It is such a gift to be able to touch memories and find that they still mean something. Even if they mean nothing to anyone else. The songs carry emotion, and the voices themselves are pure joy. I hope you find them to your liking.
And Donald: if you are still out there somewhere and want to resume our bus stop discussion about my musical taste, I warn you -- I have developed a wicked right hook.






